Showing posts with label publicity. Show all posts
Showing posts with label publicity. Show all posts

Aug 11, 2012

Time for the publicity juggernaut to start up again

Well, it's been awhile, but after much, much, much laziness on my part (catching up on Lost turned out to be a real timesuck), I have finally got the second novel done somewhat to my liking. Which is fairly lucky, since it comes out in less than two months.

Husk final cover, designed by David Gee
Yes, Husk (click the link for description) is on its way to terrorize bookstores with its ridiculous tale of a zombie with glimmers of morality. Meaning that yes, he does eat a fair amount of people (a zombie novel without cannibalism is like a vegetarian who still eats fish; completely wrongheaded on the concept), but at least he feels conflicted about it.

I've decided to branch out and start an official author page, which you can find here. Already I've posted a few entries on my thoughts concerning zombies, and I'll continue to focus most of my energies on keeping the site filled with current information. Expect it to fill quite rapidly with reviews and events, and I'll be using it to promote further writings and projects down the road. I've also begun a public Facebook page for the novel, which I do hope you'll all check out and join (with the possibility of a free copy up for grabs to all members). I'll keep up my reviews here from time to time, but very likely in a reduced capacity for the foreseeable future.

Already, the buzz is building. Husk has been noted as a hot Fall release by Quill & Quire, and Russell Smith gave it a muted mention in one of his Globe and Mail columns (the title's not there, but I'm fairly certain I'm the only CanLit author with a zombie novel on the horizon, unless Alice Munro has decided to finally publish her long-awaited Lives of Undead Girls and Decomposing Women). I've also been lucky enough to cajole remarkable blurbs from some of my favourite authors (Andrew Pyper, Andrew Kaufman, and Peter Darbyshire, a trio that proves CanLit ain't all about  prairie winters and hardscrabble lives), which you can find on my author website.

I've been contacting bloggers and websites with a bent for the horrifically unusual or the unusually horrific to get some early review coverage. If you know of any that get a fairly wide readership, don't hesitate to contact me with the details. I've also been working on the launch in my current habitat in Fredericton, NB, and will get those details finalized ASAP.

Best of all, I've been accepted to two prestigious Canadian literary festivals for autumn 2012. In late September, I'll be travelling to Manitoba to participate in two events at the Thin Air Winnipeg International Writers Festival. One will be in Winnipeg proper (date and time TBA), and the other (on the evening of Sept. 21) will be a special event in Brandon, MB, where I'll be having a reading of Husk followed by the local premiere of the new Canadian horror comedy A Little Bit Zombie. This film was actually financed in large part through crowdsourcing, and has garnered a fair amount of good reviews as it travels the festival circuit. Needless to say, I'm quite stoked about pairing up my novel with this by-all-accounts very silly and very gory little slice of Canucksploitation. Should be a great evening, and a great overall time back in the prairies.

The highlight for me, however, is having two events (TBA) at the International Festival of Authors in Toronto, ON, near the end of October. I don't yet know who is on the bill with me (I'm not so deluded as to think I have a huge amount of drawing power), but just getting in the festival is a huge career highlight for me. Looking at the full list of participants, I can only assume I'll be paired up with Michael Chabon, Rohinton Mistry, and Gordon Pinsent. Only makes sense.

Finally, next week I shall be unveiling the spanking new book trailer, created and edited by yours truly, with invaluable help from a gaggle of nieces and a murder of nephews. I shall place it up on this site eventually, but I shall showcase it first on my author website and the Husk Facebook page. If you like the trailer, please distribute it on your own pages, tweets, and blogs accordingly.

It has been quite a ride for me so far, and there's still two months until I see it sitting atop the shelves. I hope you'll all enjoy my strange little monster, and perhaps we'll get a chance to meet when I'm on the road.

Jun 5, 2011

A lesson in the art of spin; or, I didn't say that, did I?

Yesterday, I was schooled in the art of spin. Owned. Pwned, as the kids say, bless their unable to spell hearts. And while I am fairly angry about it, a part of me can't help but admire the cojones of all involved.

A little background:

In my wanderings through the literary landscape, I have had the opportunity to, once in awhile, espouse my views on certain written works for sums of money i.e. I write book reviews for publications. I have always tried to give such reviews my best attention to detail, trying to do more than simply summarize a plot and giving a thumbs up/down. I make no claims to greatness, but I take the work seriously, and try to give every author I read the benefit of a doubt. I have praised books I've admired, and when confronted with the occasional shall we say less-than-stellar offering, I usually do try to put the best face on a bad situation. The authors have presumably worked hard to bring their vision to print, and although I may not enjoy the result, I appreciate the effort.

Ah, but I am human, and flawed. Sometimes a book hits me below the belt, and I cannot help but to respond in kind. In the pages of The Winnipeg Free Press, I laid waste in five hundred words to such destroyers of trees/hope as Michael Slade's Bed of Nails and Paulo Coelho's Eleven Minutes, barely containing my rage at how such authors managed to scuttle away with vital hours from my life with their horrible prose, insipid characters, and limp narratives. We all have read such books, and cannot help but rail even when public opinion is against you, or if your own common sense tells you to back off, that you are making a fool of yourself.

Such it was with Chuck Palahniuk's Tell-All. My review was not so much an incisive dissection of a novel as it was a rant against an author I deeply admired for foisting upon his abundant fanbase a novel so lazy, so flaccid, and so dreary. In the past, I had forgiven Palahniuk for lesser efforts such as Snuff, knowing that even the greatest authors had off days. A man who gave me the gruesome, obscene satirical pleasures of Fight Club and Rant and Choke had earned some leeway. But Tell-All is atrocious, a novel that would likely never have been published save for his name on the cover. I place it in the same terrain as the gut-wrenchingly awful books of James Patterson, the flavourless spewings of Stephanie Meyer, the utter stupidity of Tim LaHaye. In the annals of disappointing releases from authors I deeply admire and respect, it belongs in the same category as Ira Levin's dismal Son of Rosemary, Richard Matheson's inane Seven Steps to Midnight, and Robert A. Heinlein's lamentable The Number of the Beast. I condemn it to the basest reaches of my filth-laden soul, and continue to do so, even as I begrudgingly admit that I'm looking forward to Palahniuk's next novel, it sounds like all sorts of awesome.

So, I trashed Tell-All in the Arts section of the Winnipeg Free Press, and I stand by my words. So it was with no small amount of surprise that I picked up the recent Canadian paperback release (to see who, if anyone, had actually praised it), and read the following on the back cover, just underneath the plot summary:
"A devastating dissection of celebrity . . . classic Palahniuk fare." — Winnipeg Free Press
Huh.

I checked my original review, and found the sentence in question:
Written in a style akin to gossip tabloids of the time (complete with boldface font for every name mentioned), the novel promises on its surface to be a devastating dissection of celebrity, classic Palahniuk fare.
Of course, this sentence handily ignores the rest of the review, including the following nuggets:
But with Tell-All, his fourth novel in as many years, Palahniuk simply gives up, delivering a novel as negligible in size as it is in ambition.
and
Tell-All is the effort of an author who has utterly given up. It is a soggy, misshapen mess of half-baked parody and puddle-shallow inspiration.
and
Tell-All is an insulting shrug of indifference from an author who once actually mattered on the literary scene.
Wow, that was harsh. I may have forgotten to take my happy pills that day.

Now, in addition to working as a reviewer and author, I earn a living as a publicist for a highly-regarded independent Canadian publisher. So I am intimately familiar with the concept of 'spin.' I have had opportunity to scour reviews for phrases I can employ to highlight my books in press releases and advertising. And occasionally, I have lifted chunks of wordage and used them slightly out of context, so that a review that rates a book as average can be used to highlight a novel's marvelous atmosphere or rich characters. It's part of the job. Not lying, exactly, but tweaking the truth in a certain way to achieve an intended result.

But this . . . this is complete falsity. They are using a review specifically designed to keep people as far away as possible from their book as a tool to lure people in. They've taken a spray can to a sign labelled DO NOT SWIM, SHARKS IN THE AREA, leaving it blaring to the public, SWIM AREA.

I do admire the ability to make chicken salad out of chicken shit, no question. But when faced with Tell-All, the proof is in the quotes; they did not have many to choose from. Check out the screenshot of the praise page above: most of them are fairly quiet on the novel itself, concerning themselves with Palahniuk and his reputation rather than the merits of the book. I've looked around; critical praise for Tell-All was fairly lacking. The page looks good, but when you come down to it, it doesn't tell you anything more than the praise pages for most of James Patterson's recent books, pages made up of glorious plaudits from bloggers and bloggers only. Yes, I'm being a little snobbish here, but my point is, there is no critical praise from reputable sources to be had. Some show it obviously (Patterson) and some hide it expertly (Palahniuk).

Who to blame? It's all the publishing company, and the publicists. They're trying to sell a product here, the art is left to the artists. I don't blame Palahniuk for the manner in which his company markets him, I only blame him for the product itself.

My point? Could it be, don't believe everything you read? That'll do, I guess. But the real point here is:

I did not praise Tell-All. The Winnipeg Free Press did not praise Tell-All. The quotation is a bald-faced distortion, a lie through and through. If you must read Tell-All, don't blame me if you feel used afterwards.

Jan 13, 2009

The publishing process

For all those who wonder, the curtain has been drawn back - this is how novels are published. Everything is revealed, from the correspondence between author and editor (via Twitter), to the salary of a copy editor ($80,000), to the importance of Second Life avatars to publicity.



Priceless.
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